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Old Light on New Worship: Musical Instruments and the Worship of God
by John Price with a Forword by Edward Donnelly
A theological, historical and psychological study of the place of musical instuments in the worship of God.
"I enthusiastically recommend this book on congregational worship. It is a great relief to have access to a scholarly modern examination of the question, 'What musical instruments are and which are not permissible in the public worship of God?' For clarity and fulness of treatment, yet at the same time for courtesy and pastoral wisdom, this short study on an aspect of the regulative principle is first-class. I highly recommend it to church members as well as to ministers of the gospel."-Maurice Roberts
- Sales Rank: #857221 in Books
- Published on: 2005-10-01
- Released on: 2005-10-01
- Number of items: 1
- Dimensions: 2.00 pounds
- Binding: Hardcover
- 256 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Great source! Excellent biblical guidance for church worship.
By Amazon Customer
This is a terrific book for guiding one around the idols that a large crowd of people receive into their musical worship today. This book provides a clear and thorough bible study on the subject of music in the church. It offers a clear historical lesson on how men have changed the church worship over time. There is some overkill regarding the writings and opinions of some historically religious men. The section explaining the arguments for instruments in Christian worship became argumentative and repetitive in its counterpoints. I also felt that the section on the psychology of worship was not necessary. There are large groups of Christians worshiping today using only a capella singing. The author failed to point this out which leaves the persuaded reader feeling a little lonely. I enjoyed this book as I found that I was keeping my Bible close as I turned to it frequently. This book may be a tough pill to swallow for most people, but this is nothing new regarding God's authority since the beginning of time. The "old light" of this book is basically that - God's authority.
5 of 5 people found the following review helpful.
Wonderful Study on Music In The Church
By Christine D. Hunter
I really was amazed reading this book. About 2 years ago I read a review in the Gospel Advocate and put it on my wishlist. Finally, I got to read it. The number of references the author uses is amazing! A lot of time was put into researching. It truely made me appreciate why our church does not use musical instruments and I wouldn't have it any other way. I applaud the chapters on keeping unity in the church when trying to steer churches to elimiating instruments in worship. Unity in the church is so important and I am grateful the author didn't leave this out. If you are wanting an awesome Bible study on instrumental musical in worship, this is for you. If your church currently uses instruments and you feel comfortable worshiping this way, read this book with an open mind. One of the best quiet time Bible studies I've had in a long time.
7 of 7 people found the following review helpful.
Description and Contents
By J.S.Horne
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OLD LIGHT ON NEW WORSHIP:
Musical Instruments and the Worship of God, A Theological, Historical and Psychological Study
by John Price
"About the author - John Price is a graduate of Trinity Ministerial Academy, Montville, New Jersey. He is currently the Pastor of Grace Baptist Church in Rochester, New York, where he has served since 1995. Pastor Price and his wife, Mary Jo, have two children."
From the Foreword by Edward Donnelly
"The timeliness of this volume springs from the fact that we are living through a worship revolution. Evangelical worship has changed as much in the last twenty years as in the previous two hundred. The process has been swift, pervasive and controversial, leading to the tragic emergency of what have been called 'worship wars' in which brothers and sisters in Christ actually quarrel over how to worship their heavenly Father. These developments have not take place in a context of spiritual renewal. They seem, rather, to be partly the product and partly the cause of an increasing shallowness and worldliness among the professing people of God. Reformed churches are not proving immune to the clamour for change. So it is useful to have before us a calm, reasoned discussion of one of the issues."
"I enthusiastically recommend this book on congregational worship. It is a great relief to have access to a scholarly modern examination of the question, 'What musical instruments are and which are not permissible in the public worship of God?' For clarity and fullness of treatment, yet at the same time for courtesy and pastoral wisdom, this short study on an aspect of the regulative principle is first-class. I highly recommend it to church members as well as to ministers of the gospel. - Maurice Roberts, Minister of Inverness Free Church of Scotland (continuing)"
CONTENTS
Foreword
Preface
Introduction
I. The Regulative Principle Applied to Musical Instruments
Musical Instruments in the Old Testament
Musical Instruments in the New Testament
The Origins of the Old Testament Musical Instruments
II. The History of Musical Instruments in the Christian Church
The Origins of Christian Worship in the Jewish Synagogue
The Rejection of Musical Instruments by the Church Fathers
The Rise of Musical Instruments During the Dark Ages
The Protestant Reformation
The Puritan Era
The 18th and 19th Centuries
The 10th Century
Lessons from Church History
III. The Psychology of Music
A Brief History
The Struggle Between Words and Tunes
The Testimony of the Church Concerning This Struggle
Two Clarifications
IV. The True Glory of Gospel Worship
V. The Exalted Place of Singing in the Church
VI. Arguments in Favor of Instrumental Music Considered
The 1689 Baptist Confession and "Circumstances of Worship"
The Greek Verb "Psallo" and the Noun "Psalmos" in Ephesians 5:19
Other Arguments in Favor of Instrumental Music
Practical Considerations
VII. Conclusion
Appendix A An Exhortation to Unity
Appendix B Some Suggestions for Reformation
Appendix C How Shall We Sing?
Index of Names
Bibliography
~~~~~~~~~~~~~~~
Quote from pages 132 and 133:
"As late as the 1880s, Charles Spurgeon continued to hold to the principles of the Reformers and Puritans and rejected the use of any musical instruments in worship, including the organ, which had become so prevalent in his day. In a sermon entitled 'The New Song and the Old Story,' Spurgeon states his opposition to musical instrumentation in worship:
"What a noble instrument the human voice is! . . . Is not our tongue the glory of our frame? Had I no conscientious objection to instrumental music in worship, I should still, I think, be compelled to admit that all the instruments that were ever devised by men, however sweetly attuned, are harsh and grating compared with the unparalleled sweetness of the human voice. When it is naturally melodious and skillfully trained. . . . there can be no music under heaven that can equal the combination of voices which belong to men, women, and children whose hearts really love the Savior. . . . If you want the sensual gratification of music's melting, mystic lay, let me commend to you the concert-room, there you will get the enchanting ravishment, but when ye come to the house of God, let it be to 'sing unto the Lord.'
"Spurgeon comments on Ps. 42:4,
"David appears to have had a peculiarly tender remembrance of the singing of the pilgrims, and assuredly it is the most delightful part of worship and that which comes nearest to the adoration of heaven. What a degradation to supplant the intelligent song of the whole congregation by the theatrical prettinesses of a quartette, the refined niceties of a choir, or the blowing off of wind from inanimate bellows and pipes! We might as well pray by machinery as praise by it."
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